Told with an immediacy and a rare expressive intensity that has earned it countless adoring readers and one of Italy’s most prestigious literary prizes, A Girl Returned is a powerful novel rendered with sensitivity and verve by Ann Goldstein, translator of the works of Elena Ferrante. Set against the stark, beautiful landscape of Abruzzo in central Italy, this is a compelling story about mothers and daughters, about responsibility, siblings, and caregiving. Without warning or explanation, an unnamed 13-year-old girl is sent away from the family she has always thought of as hers to live with her birth family: a large, chaotic assortment of individuals whom she has never met and who seem anything but welcoming. Thus begins a new life, one of struggle, tension, and conflict, especially between the young girl and her mother. But in her relationship with Adriana and Vincenzo, two of her newly acquired siblings, she will find the strength to start again and to build a new and enduring sense of self.

Mussolini and his mistress are captured and shot by local partisans. The precise circumstances of Il Duce’s death remain controversial. 1992, Milan. Colonna, a depressed hack writer, is offered a fee he can’t resist to ghostwrite a book. His subject: a fledgling newspaper, which happens to be financed by a powerful media magnate. As Colonna gets to know the team, he learns of the editor’s paranoid theory that Mussolini’s corpse was a body double and part of a wider Fascist plot. It’s the scoop the newspaper desperately needs. The evidence? He’s working on it. It’s all there: media hoaxes, Mafiosi, the CIA, the Pentagon, blackmail, love, gossip, murder—and clash of forces that have shaped Italy since World War II, from Mussolini to Berlusconi, that will keep readers turning the pages as the novel’s thrilling plot unfolds.

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers’ final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.